Verdemar – Quartet
“Verdemar” (Tango) by Carlos Di Sarli
Arranged by Pedro Giraudo for violin, bandoneon, piano and bass. Note: this is an original arrangement, not a transcription.
Nido Gaucho – Quartet
“Nido Gaucho” (Tango) by Carlos Di Sarli
Arranged by Pedro Giraudo for violin, bandoneon, piano and bass. Note: this is an original arrangement, not a transcription.
Nada mas – Quartet
“Nada mas” (Tango) by Juan D’Arienzo
Arranged by Pedro Giraudo for violin, bandoneon, piano and bass. Note: this is an original arrangement, not a transcription.
Lágrimas y sonrisas – Quartet
Lágrimas y sonrisas – Guitarra (Waltz) by Pascual De Gullo
Arranged by Pedro Giraudo for violin, bandoneon, piano and bass. Note: this is an original arrangement, not a transcription.
Dominguera – Quartet
“Dominguera” (Milonga) by Julián Plaza
Arranged by Pedro Giraudo for violin, bandoneon, piano and bass. Note: this is an original arrangement, not a transcription.
The PGTQ performing this arrangement:
https://www.youtube.com/watch?v=ACXxeugkB9Q
La Luciernaga – Quartet
“La luciérnaga” (Milonga) by José Dames & José Amigo
Arranged by Pedro Giraudo for violin, bandoneon, piano and bass. Note: this is an original arrangement, not a transcription. Here, the tango orchestra version:
https://www.youtube.com/watch?v=jiynfh0-p7M
El Andariego – Quartet
“El Andariego” (Tango) by Alfredo Gobbi
Arranged by Pedro Giraudo for violin, bandoneon, piano and bass. Note: this is an original arrangement, not a transcription.
El entrerriano – Quartet
“El Enterriano” (Tango) by Rosendo Mendizábal
As played by the orchestra of Armando Pontier and adapted for quartet.
Libertango – Big Band
Libertango – Big Band
BESTSELLER!
Written by Astor Piazzolla and most likely his most famous tango, this piece was an instant classic. Here a very exciting arrangement for Big Band.
Two versions will be dowloaded, one featuring the bandoneon, another without it.
La Bronca – Big Band
La Bronca (“The rage”)
The closing movement is a forceful and propelling piece written in 11/8 which features challenging lines for the saxophones. For one of the recurring sections I used and expanded a fragment of a harmonic progression found in the Lacrimosa section of Mozart’s Requiem. Contrastingly, the solo section is mostly in a simple blues form.