‘Infidencias’ for violin, bandoneón, piano & bass
‘Infidencias’ (tango) for violin, bandoneón, piano & bass
Latin GRAMMY-Winning Tango
‘Infidencias’ (tango) for violin, bandoneón, piano & bass
‘Con Creces’ (tango) for violin, bandoneón, piano & bass
‘Ávido’ (milonga) for violin, bandoneón, piano & bass
‘Astucias’ (waltz) for violin, bandoneón, piano & bass
‘Impetuoso’ (tango) for violin, bandoneón, piano & bass
‘Contrabajeando’ (Astor Piazzolla, arranged by Pedro Giraudo)
Violin 1, Violin 2, Viola, Cello, Bass
Muñeca (Pedro Giraudo) – Big Band
This piece features an animated ⅝ rhythm loosely based on the Venezuelan merengue and a tonal but yet very dense harmonic language. It features a trombone solo, Like “Push Gift” (track 8), this tune is largely based on motivic development. Most of the music here can be traced back to the first 5 notes of the main theme played by the saxes after the introduction.
Push Gift (Pedro Giraudo) – Big Band
A “push gift” is a present given to a mother at the birth of her baby by the father of the baby. Typically it is an expensive present to say “thank you” to the new mother for the ordeal of childbirth and for bringing a new life into the world. I had been unaware of this somewhat new tradition, so I was caught empty handed, but was in the middle of writing this tune, which very conveniently became my “Push Gift”. The tune begins with an exposition of a 4-voice fugue. Most of the music derives from the musical gestures found in first 8 notes which are tweaked in many different ways.
Punto de Partida (Pedro Giraudo) – Jazz Orchestra
4 saxes: a/s, a, t & b
2 trumpets
2 trombones
Piano, bass & drums
Visitas (Pedro Giraudo) – Jazz Orchestra
4 saxes: a/s, a, t & b
2 trumpets
2 trombones
Piano, bass & drums